La defensa profesional del artista Ecuatoriano y el principio de alternabilidad de los funcionarios de FENARPE (Federación Nacional de Artistas

Abstract

The present investigation is of importance to treat it because it intends to determine the application of the principle of alterability in the law of professional defense of the Ecuadorian artist, it is current since the artistic union is a group in legal defenselessness and little visible for the benefits that the state provides to other organized societies, in addition to being novel, the investigation into the background of the same, the law under investigation has already been submitted to the authorities for consideration but without any favorable response since it has gone unnoticed, those in charge of monitoring it are the artists themselves represented by the national federation of professional artists of Ecuador and in its capacity the legal representative which should tend to make this proposal effective but such is the comfort of certain leaders that they are not interested in the growth of the union members and artists in general and that do not lose this title by ceasing to belong to an institution, it is determined how the Principle of alternability affects the application of the law of professional defense of the Ecuadorian artist, this investigative work welcomes the approach: critical - propositive of a qualitative and quantitative; quantitative because the information that was submitted to statistical, qualitative analysis was collected, its line of investigation is induction by constitutional law and cultural law, it is concluded that what is based on this investigation is the lack of interest of the state in protecting the legal good represented in art.