Maestría en Diseño, Desarrollo e Innovación de Indumentaria de Modas

Permanent URI for this collectionhttps://repositorio.uta.edu.ec/handle/123456789/44281

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Author: search.filters.author.Escobar Guanoluisa, Taña ElizabethStart date: 2018

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    Imaginarios vestimentarios de la bolsicona, Quito siglo XIX
    (Universidad Técnica de Ambato. Facultad de Diseño, Artes y Arquitectura. Maestría en Diseño, Desarrollo e Innovación de Indumentaria de Moda., 2018-05) Escobar Guanoluisa, Taña Elizabeth; Ponce Pérez, Celinda Anabella
    During the 19th century, while the nation of Ecuador was being built, Quito was the scene of various types, clothes and trades. Under this scenario appears a female, and popular character of the Ecuadorian capital: the bolsicona, simple but coquettish livery! The objective of the present investigation is to construct the vestimentary imaginaries of the bolsicone through the dialogue between written and visual sources such as: period documents, travelers' stories, paintings and photographs. To this end, the methodology used responds to a research on design, with a qualitative approach, a narrative type and a historical character, since it deals with the evolution of clothing systems. To do this, content analysis and image analysis were used, and through a coding scheme of key words, vestimentary imaginaries were constructed based on the tripartite system: body, clothing and context. The suit of the mixed-race woman, although modest but well-groomed, was made up of four pieces: pockets, shirt, shawl and rebozo added to a variety of petticoats. The superimposed elements, the arabesque decoration, the mixture of textures, and colors hint at the influence of romanticism and baroque. With this attire, the bag gained visibility and managed to identify itself through its clothing. Finally, the project proposes the Visual Archive of the costume that compiles, organizes and catalogs, according to temporalities, the written and visual sources with documentary and historical value of the Costume of the Bolsicone and places them within the category of popular or regional costume with the sole purpose to keep the vestimentary memory alive and contribute to the construction of the history of the Ecuadorian costume.